The theater is one of the region’s most important cultural institutions, but beyond its prestige, it offers something rare: the possibility to push the technical and expressive boundaries of performance.

Here, Sál could unfold in its most ambitious form. Alongside our usual set-up of back projection and double front projection, we had the opportunity to add two additional projectors on the side walls near the stage. This expansion transformed the scenography, allowing the visuals to spread across the entire theater and immerse the audience in a 270° visual landscape. The images no longer existed only behind or in front of the performers, but surrounded the stage, creating a living environment that dancers could inhabit and audiences could be enveloped by.

The sound design followed the same immersive logic. By spatializing the audio, we created a sense of presence and movement that amplified the emotional depth of the piece. Sound and image worked together to dissolve the edges of the stage, extending the performance beyond its physical frame.