The Full Circle Trilogy
Sál

Sál (“soul”) is a live media opera exploring the universal concept of impermanence, emphasizing the ever-changing essence of life.

As the final chapter of a trilogy, Sál builds upon the narrative threads established in the two previous live performances, Ljós (2014) and Dökk (2017). Ljós (“light”) explores the theme of birth, “coming into the light”, while Dökk (“darkness”) delves into the concept of interdependence, revealing how each element is inevitably connected to the others in a dynamic balance. In Sál, the focus shifts to the horizon, to the boundary of human life, embracing the notion that everything is in a state of constant transformation, that everything is impermanent.

Sál explores this fleeting threshold between one state and another, examining the intricate emotional dynamics that unfold in these moments of uncertainty and instability. The piece invites a deep contemplation of life’s inherent entropy, encouraging the audience to surrender to the precious fragility of life.

National Taichung Theatre, 2025 | ph. Matteo Torsani

Concept

Everything is in constant change; nothing is permanent. Each moment is born and, in dying, clears the way for the next. Every sound arrives and then fades away, everything vanishes before our eyes. Visions, flavors, sounds, physical touch, relationships—all share the same nature: impermanent, fleeting, ephemeral. Nature shows us how everything that exists, from the microscopic to the cosmic scale, is in a state of constant transformation. Observing a cell under a microscope, we can see that even the smallest particles exist in a continuous flow, living and dying moment by moment.

The same dynamic can be observed in our universe: impermanence governs galaxies, stars, and black holes. At every moment, something fades away, and something else explodes into existence. Just like us, stars and galaxies are born, live for a time, and then die.

In our human experience, it is precisely when we confront death that we come into undeniable contact with the idea that nothing is permanent. 

Those who provide end-of-life care, or who have experienced accompanying someone in their final moments, bear witness to this. Accompaniment is an intimate and personal encounter with the unknown; it is an act of presence and support. 

To accompany someone, one must be willing to confront their own pain in order to truly connect with the pain of others. These principles, described in Frank Ostaseski’s book The Five Invitations, have inspired the narrative structure of Sál, particularly the relationship between the two performers.

National Taichung Theatre, 2025 | ph. Matteo Torsani

In Sál, the dancers move through an unstable space that reflects the tension between past and future, opening themselves to vulnerability and embracing every aspect of the human experience.

Impermanence compels us to face the unknown and the sense of mystery: the fear and wonder we experience when encountering something beyond our full comprehension. To represent this, the visual narrative of Sál focuses on observing what happens to light and matter in the vicinity of black holes through a series of simulations developed in collaboration with the University of KU Leuven and Toronto University.

Black holes, with their extreme gravitational fields, challenge both quantum mechanics and general relativity, leading to profound questions about the nature of time itself. Approaching the event horizon means approaching a boundary beyond which nothing can escape—not even light. This boundary separates the known from the unknown, the tangible from the mysterious.

Ultimately, Sál invites us to embrace the instability of our lives and the vertigo we feel when faced with the inevitable dissolution of familiar forms. These moments of uncertainty and disorientation often become opportunities to rediscover kindness and compassion, reconnecting deeply with our human nature, with our soul. Sál.

Visual and Scientific Research
Narrative Structure

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

National Taichung Theatre, 2025 | ph. Matteo Torsani

Credits

Sál is a live media opera by fuse*

Art Direction, Executive Production: Mattia Carretti, Luca Camellini  
Choreography: Diego Tortelli  
Performers: Hélias Salvador Dorvault, Vittoria Franchina  
Concept: Mattia Carretti  
Visual Research, Technical Direction: Luca Camellini  
Music Composition: Riccardo Bazzoni  
Visual Development: Alessandro Mintrone  
Software Development: Matteo Amerena, Matteo William Salsi  
Light Design: Stefano Cane, Matteo Amerena  
Hardware Engineering: Matteo Amerena, Davide De Marco  
Communication and Copy: Virginia Bianchi, Filippo Aldovini, Giulia Caselli, Olimpia Zamò  
Production Assistant: Filippo Aldovini, Virginia Bianchi, Martina Reggiani  

Sál is co-produced by the National Taichung Theater in Taiwan, where the world premiere will be held on April 26-27, 2025.  
With the support of the Centro di Residenza Emilia-Romagna “L’Arboreto – Teatro Dimora | La Corte Ospitale.”

We would like to thank all the members of the fuse* team who contributed to the creation of this project in any way.

Roberto Ferrari, for his support in writing the concept of Sál, for accompanying us during the production, and for the development of the Sál | Rite project.  
Guidalberto Bormolini and Frank Ostaseski for inspiring us through their texts and teachings.

Elena Annovi, for the work done together in the early stages of Sál's development and for accompanying us in bringing this trilogy to life. Fabio Calvisi, Samuel Puggioni, Nicola Berselli, Andrea Cerè, Giulia Sarah Gibbon.  
Alessandro Pelli and the team at Teatro B. Asioli  
ERT – Emilia Romagna Teatro.

Yinnu Chen and Escher Tsai, for accompanying us with support and dedication in bringing the world premiere of Sál to life.

Daniel R. Mayerson and Fabio Bacchini for their support with “FOORT: Flexible Object-Oriented Ray Tracing”.

The visualizations were created using the BHAC ‘Black Hole Accretion Code’, developed by Oliver Porth together with Hector Olivares, Bart Ripperda, Fabio Bacchini, Yosuke Mizuno, Ziri Younsi, Luciano Rezzolla, Elias Most, and Lukas Weih, at Goethe University Frankfurt as part of the ERC Synergy grant “BlackHoleCam: Imaging the Event Horizon of Black Holes” (Grant No. 610058), with the responsible parties H. Falcke, M. Kramer, and L. Rezzolla.

We thank the Virgo Consortium for making available the data from the EAGLE simulation.  
The visualizations were also created using the RAPTOR tool, developed by T. Bronzwaer and J. Davelaar at Radboud University Nijmegen (NL).  
Sál was developed using openFrameworks and powered by NOITOM’s MOCAP Perception Neuron system.